On April 27, 2018, acclaimed jazz singer Halie Loren released her tenth full-length album, From the Wild Sky. Born in Sitka, Alaska and residing in Oregon, Halie garnered national attention when she won a songwriting contest at the age of 13. By 19 she had already been to Nashville to immerse herself in all the songwriting that the city is famous for. Then at 20, she started her recording career with her first album, Full Circle. Since then she has released eight other albums to critical acclaim. Her latest, From the Wild Sky, should also garner accolades as well. This 11-track release is a beautiful mix of jazz, blues, and pop.
Throughout every track on the album, one thing is very obvious- Halie Loren has a perfectly clear, stunningly beautiful voice. Every word that she sings you not only heat – you feel. Without a doubt she is an extremely talented singer. The opening track, “Roots”, is a nice blend of jazz stylings and swelling choruses that give a nice texture to the song.
One of my favorite tracks is next, “How to Dismantle a Life”; it is an upbeat number that is a cleverly written song about a relationship ending.
“Wild Birds” is a delicate song with lyrics that paint a beautiful imagery.
The fourth song, “Paper Man”, is another favorite of mine. Haley does a fantastic job of combining her jazz stylings with a smoky bluesy feel to really give this song the bite it needs to match the lyrics.
This is followed by the songs “I Can’t Land” and “Well Loved Woman”, which has a very nice anthem feel to it.
The next two tracks, “Painter’s Song” and “August Moon” are both delicate jazz numbers that I’m sure only Haley could pull off.
“Noah” is an amazing piece of songwriting; i is lyrically steeped in metaphor and delivered like a gentle lullaby.
The album closes with “A Mi Manera”. This is the one song on the album that Haley did not write. It is a cover of Roberto Livi’s song, which she sings beautifully in Spanish.
If you are a fan of Halie Loren, you will enjoy every moment of listening to her breathtaking voice. If you aren’t familiar with her and are looking for something that blends jazz, blues, pop, and contemporary music along with unparalleled singing ability into one package; and throw in some well-crafted songwriting – then you will be in for a treat with From the Wild Sky. All in all, this is a stunning effort and it clearly showcases the immense singing and songwriting talents of Halie Loren.
The songwriter’s journey is two-fold, a path that moves inward toward the self and outward to embrace the wide world, coming full circle in the final, compressed form of a song — three or four minutes of exquisitely crafted sound that speaks to our better angels, and sometimes our not so better. Music is the soundtrack of the lonely soul’s reckonings. It is a hard-won melody, a poetry conjured and charted and breathed forth into thin air like a celestial map of laughter and tears, love and loss. And hope.
In a very real sense, singer/songwriter Halie Loren has come full circle. Her latest album, From the Wild Sky, is not just the culmination of a recent flurry of work but, in fact, the culmination of years making music. As her first collection of original songs since her debut album, 2006’s Full Circle, the new album represents a maturation that is also a return to the deepest roots of her creativity. Loren’s decade-plus career, represented by nine excellent albums and an international reputation as a top-notch musician and gifted vocalist, has led her exactly to this moment in time.
Among the innumerable pleasures to be had here is the rare joy of hearing an accomplished songwriter fully spread her wings. From the Wild Sky captures Loren soaring — confident, embattled and empowered, ever attuned to the healing powers of music in these troubled times. Each song tells of a journey, and the sum total of the album itself represents a voyage that beckons the listener to travel along, through fragility and conflict into a tenuous but graceful acceptance, grounded in wisdom and celebrated with stunning artistry.
From the opening number, the wake-up call of “Roots,” Loren issues a challenge over the snap of perfectly orchestrated pop: “When you finally open up your eyes/ Will you love what you’ve found?” The song, with its swelling chorus and cathedral harmonies, is a statement of intent, signaling a cycle of songs that burrows inward for kernels of truth before blossoming forth to confront the world anew.
Take, for instance, the infectiously catchy “How to Dismantle a Life,” an upbeat and wickedly smart tune about properly ending a bad relationship, and perhaps the most unbowed divorce anthem ever written. Similarly, the deep New Orleans groove of “Paper Man” finds Loren shining a wry light through the facade of flighty people who hide behind the fakery of a “free spirit.” On songs such as these, Loren traipses the tripwire of anger, turning her disillusionment into defiance and self-respect.
Nature, and the natural world, has always featured significantly in Loren’s songwriting. As a child growing up in Alaska, and then as an adult in the Northwest, her wonder and gratitude for the gifts of the great outdoors have inspired a reverence and communion she brings forth in song. In the gentle sway of “Wild Birds,” Loren gazes with a child’s eyes upon the surrounding landscape, until the bigness of everything overwhelms her with a humility that is equal parts benediction and elegy (“Are we the only ones who don’t understand/ We’re but shadows upon an eternal land?”).
On “Noah,” the album’s emotional and artistic centerpiece, nature itself becomes a complex metaphor for loss and hope, as apocalyptic visions of a devouring flood are brought to the level of two lone stowaways seeking safety in a deluge. A gorgeously pained lullaby, the song whispers its fears like a survivor huddled for shelter, while the whole world falls apart. “We are temporary lights shining in the deep wild sky,” Loren sings, “holding everything and nothing but the glow we emanate.”
Fragility and defiance walk a delicate tightrope act throughout this lovely album, the sign of a musician operating at a peak level of sophistication and, yes, risk. Part confessional and part invitation, From the Wild Sky is a testament to Loren’s indomitable spirit, as well as her ability to craft her experience into something at once personal and universal. From the Wild Sky, Loren’s most intimate and layered album, is also her most accessible; each successive listen opens up vistas of meaning.
Loren’s began her career as something of a prodigy at age 13, when she won a songwriting contest, gaining national attention. Before she was 19, she did a stint in Nashville, soaking up that city’s ancestry of great American songwriting. She recorded her first album at 20, and from there she was off and running, recording successive albums that garnered awards, Billboard recognition and an international following that has sent her touring around the globe, including stops in Korea, Africa, Japan, Canada and the Caribbean, to name a few locations. Her records regularly make “best of” lists, and her sublime talents as a vocalist are attested to by several albums hitting the #1 slot on Canadian and Japanese jazz charts.
Considering such success, it would have been understandable for Loren to toe the line and stick to the known path with her new album. Instead she chose to take a leap of faith, forging ahead with a vision that encompassed the full complement of her compositional talents. Funding her latest efforts through fan pledges to a Kickstarter campaign, she teamed up with producer Troy Miller (Gregory Porter, Laura Mvula, Jamie Cullum) and a handful of all-star musicians, including Femi Temowo, Ben Williams, Michael Olatuja, Nathan Schram, Andrew Yee, and Becca Stevens (featured on the track “Wild Birds”).
The results are stunning. From the Wild Sky introduces Loren to her listeners anew, as a singer/songwriter (and composer) of considerable power and reach, as capable of breaking your heart as lifting your spirits. The album finds her exploring every nook and cranny of her experience, wresting from it breadcrumbs of truth along the thorny paths of life. Lyrics and sound balance perfectly. Sum and parts harmonize exquisitely.
From the tenements of Tin Pan Alley to the backrooms of Nashville, songwriters have drawn our cosmos, each tune a pin in the atlas. They tell us where they’ve been and where we’re going. They stick in our craw. They sing us awake, lullaby us to sleep. They move our feet. With From the Wild Sky, Loren steps full force into this great tradition, offering a gorgeous collection of songs pulled forth from the innermost places of being.