Clearwater, FL (August 10th, 2024)
In an era where music festivals can often feel repetitive and formulaic, Slash’s inaugural S.E.R.P.E.N.T. Festival at the BayCare Sound stood out as a refreshing exception. Embracing a mission that goes beyond mere entertainment, the S.E.R.P.E.N.T. Festival—an acronym for Solidarity, Engagement, Restore, Peace, Equality, N’, and Tolerance—was not only a showcase of exceptional blues talent but also a powerful demonstration of unity and purpose. Every ticket purchased contributed to charities dedicated to promoting peace, equality, and tolerance, adding an extra layer of significance to the event.
The evening’s festivities began with Robert Randolph, whose dynamic pedal steel guitar performance set the tone for a night of musical excellence. Randolph’s set was a testament to his virtuosity and passion for blues. He opened with a riveting cover of Skip James’ “I’m So Glad,” a track that showcased his ability to breathe new life into classic blues while maintaining its raw emotional power. The highlight of his set, however, was his rendition of Jimi Hendrix’s “Foxy Lady.” Randolph’s take on the Hendrix classic was a thrilling blend of fiery guitar work and energetic stage presence, leaving the audience both exhilarated and wanting more.
ZZ Ward followed with a performance that was nothing short of electrifying. Known for her powerful voice and commanding stage presence, Ward delivered a set that skillfully blended traditional blues with modern sensibilities. Her rendition of “My Baby Left Me” by Arthur “Big Boy” Crudup and “Dust My Broom” by Elmore James was a nod to blues history, while her own material showcased her versatility and creativity. One of the standout moments was her heartfelt performance of “Mother,” introduced with a touching anecdote about her joy in having her two young children accompany her on tour. Ward’s set concluded with a spirited rendition of “Cadillac Man” by the Jesters.
The third act of the night, Larkin Poe, brought a fresh and innovative approach to blues with their electrifying performance. The sister duo of Rebecca and Megan Lovell delivered a set that was a sonic whirlwind of intricate harmonies and blistering guitar solos. They opened with the evocative “Summertime Sunset,” immediately capturing the audience’s attention. Their mesmerizing cover of the Allman Brothers’ “Jessica” was a highlight, featuring the sisters trading licks in a display that was as visually captivating as it was sonically rich. Larkin Poe also debuted their new song “Bluephoria” and played crowd favorites such as “Bad Spell,” “Two Step,” and “Wanted Woman – AC/DC.” They closed their set with the powerful “Bolt Cutters & The Family Name,” leaving the audience in awe of their talent and energy.
The climax of the night arrived with Slash and his Blues Ball bandmates. The rock legend, accompanied by his newly formed ensemble, delivered a performance that seamlessly blended classic blues with his own distinctive style. Opening with Bukka White’s “Parchman Farm Blues,” the band set the stage for a memorable evening. The setlist included a mix of blues classics such as Howlin’ Wolf’s “Killing Floor,” Booker T and The MG’s “Born Under A Bad Sign,” and Fleetwood Mac’s “Oh Well,” along with a rousing rendition of “Papa Was A Rolling Stone” by The Temptations.
The sole original composition of the night, “Metal Chestnut,” showcased Slash’s exceptional skill with its intricate instrumental arrangement. A highlight of the performance was a thrilling jam of Jimi Hendrix’s “Stone Free,” featuring a guest appearance by Robert Randolph. The sight of Randolph and Slash trading licks on this Hendrix classic was a high-octane moment that exemplified the festival’s spirit of collaboration and musical excellence. The night concluded with a two-song encore: Bob Dylan’s “It Takes a Lot to Laugh, It Takes a Train To Cry” and Elmore James’ “Shake Your Money Maker,” leaving the audience on a euphoric high.
The inaugural S.E.R.P.E.N.T. Festival at Baycare Sound was a resounding success, both musically and philanthropically. By merging stellar performances with a meaningful cause, Slash created an event that was not only memorable but also impactful. The festival set a new standard for how music events can engage with social issues and deliver exceptional artistry, ensuring its place as a highlight in the festival calendar.
Slash:
Larkin Poe:
ZZ Ward:
Robert Randolph:
BayCare Sound: